Current Branch Engine

Currents

A readable map of comic fiction: choose a current, then a branch, then the engine. Refine with the Toolbox: Environment + Comedy level.

In this page ~4 min
Definition

Current → Branch → Engine

A current is the macro orientation of a novel’s laughter. It stays readable. It does not freeze the book into a rigid genre label.

The atlas uses a simple ladder: CurrentBranchEngine, then refine with the Toolbox: Environment + Comedy level. Labs and flags are optional.

Branchwhere it plays

The social arena that produces friction.

Examples: Etiquette, Manners, Workplace, Family.

Enginehow it moves

The comic dynamics that drive scenes and plot.

Examples: Frustration, Winner, Comeback, Vaudeville.

ToolboxOpen →

Refine: Environment (concrete terrain) + Comedy level (Engine / Thread / Turn).

Labs + flags: optional, used when relevant.

Current

Comedy of Society

The individual facing the group: codes, institutions, social pressure.

Comedy of Society observes how people miss each other — through roles, rituals, politeness, hierarchies, and the cost of “fitting in”.

Branch (where it plays)
  • Etiquette / Code (clubs, rituals, roles)
  • Manners (social embarrassment, romance, cruelty)
  • Workplace (office, campus, bureaucracy)
  • Family (domestic pressure, roles, repetition)
Engine (how it moves)
  • Frustration (skid, collapse)
  • Winner (success paradox)
  • Comeback (reinvention)
  • Vaudeville (clockwork misunderstandings)
Refine with the ToolboxOpen →

Environment (concrete terrain) + Comedy level (Engine / Thread / Turn).

Labs and flags are optional layers.

Current

Crime Comedy

Transgression as a comic device: plans, blunders, escalation, elastic morality.

Crime Comedy turns plot into a machine. The laughs come from competence gaps, rational criminal thinking, and consequences that outgrow the plan.

Branch (where it plays)
  • Caper (plans, blunders, escalation)
  • Heist / Burglar (craft, chaos)
  • Comic noir (dark edges)
  • Cosy / Amateur (community, misread clues)
Engine (how it moves)

Crime brings its own engines (schemer, hapless criminal, comic investigator…),

but it can also reuse classic engines: Frustration, Winner, Vaudeville.

Refine with the ToolboxOpen →

Environment (concrete terrain) + Comedy level (Engine / Thread / Turn).

Labs and flags are optional layers.

Current

Neo-Nonsense

Vertigo of meaning: rigorous prose in a world that slips its own logic.

Neo-Nonsense responds to cracked certainties (systems, science, ideology). Comedy can be tonal, structural, or metaphysical — often with cinematic grammar.

Branch (where it plays)
  • Absurd / Surreal (deadpan chaos)
  • Postmodern satire (systems, paranoia)
  • Comic SF (cosmic bureaucracy)
  • Meta / Formal (narration as device)
Engine (how it moves)

Neo-Nonsense often pushes engines into structural territory:

  • Rigour → crack (systems glitch)
  • Paradox games (logical traps)
  • Existential self-mockery (the “I” vs universe)
Refine with the ToolboxOpen →

Environment (concrete terrain) + Comedy level (Engine / Thread / Turn).

Labs and flags are optional layers.

Orientation

Where to start?

Start with a novel or an author, then follow Current → Branch → Engine.

If a book is “hybrid”, the guide still works: the ladder remains stable and the Toolbox clarifies centrality (Engine / Thread / Turn).

Start with a novel guideOpen →

Pick one book. Identify its current, branch, engine. Refine with environment + comedy level.

  • stable comparability
  • clear hybrid handling
Start with an author profileOpen →

See recurring devices: institutions, tempo, engines, and tonal signatures.

  • Core Comedy / Hybrid / Comic Incursions
  • cross-links to novel guides
Toolbox

Toolbox used in every guide

Refine every guide with the same terms: Environment + Comedy level.

Labs and flags remain optional layers.

Comedy level (novels) Open →

Comic Engine · Comic Thread · Comic Turn

Comedy level (authors) Open →

Core Comedy · Hybrid · Comic Incursions

Environment Open →

Concrete terrain: milieu, institution, period — what the book is “standing on”.