Etiquette, manners, workplace, family: the social arena that produces friction.
In this page ~6 min
Definition
Comedy of Society chronicles everyday life and institutions: the comic effect emerges from the gap between norms and humans. The narrative question is rarely “what is true?” but “how do we behave, and why do we pretend?”
Core tension: integration vs refusal. The individual tries to fit, escape, or détourne the codes of the group — and comedy measures the cost of adaptation.
One novel = coordinates (not a box)
TNoC avoids one-label genres. A guide is mapped with a small set of coordinates.
Use: Current → Branch → Engine → refine with Environment + Comedy level (Toolbox). Labs and flags are optional.
Frustration, Winner, Comeback, Vaudeville: the comic dynamics that drive scenes and plot.
Environment (concrete terrain) + Comedy level (Engine/Thread/Turn).
Branches of Comedy of Society
Branches are readable “social arenas”. They keep the map close to existing forms, without freezing them.
Below are the stable branches + stable anchors (slugs). These anchors are meant to be cited.
Rules generate plot. Clubs, rituals, status codes, domestic protocols: comedy comes from performing the code — and failing.
Polite cruelty, embarrassment, social micro-violence. The comedy of “good tone” under pressure.
Hierarchies, bureaucracy, jargon, rituals of work. Comedy of roles, failure, and institutional pressure.
Sub-branches (stable):
- Office comedy — #office
- Campus novel — #campus
Family as institution: inheritance, roles, resentment, love with receipts. Comedy of proximity and obligation.
Departments, management, paperwork, HR theatre. Comedy comes from role-performance and bureaucratic gravity.
- bureaucratic satire
- competence gaps
- ritual language & meetings
Academia as institution: status games, rituals, committees, ambition, ideological theatre.
Campus dynamics (stable):
- Campus Frustration — stagnation, decline, institutional suffocation
- Campus Elite — ascent, rivalry, prestige, “winner pressure”
Comedy of stagnation: losers, blocked trajectories, pressure without reward. Institutions become slow violence.
Comedy of ascent and rivalry: prestige games, competition, selective cruelty, winning as social performance.
Narrative engines (cross-current)
Engines describe how comedy drives the plot. They can be reused in Crime and Neo-Nonsense (with local variants).
Use one main engine per novel guide. If needed, add a secondary engine as a note — but keep the headline simple.
The skid, the ratage, the derailment: comedy from failed adaptation and repeated friction.
Sub-branches (stable):
- Picaresque — #frustration-picaresque
- Loose — #frustration-loose (decline / inertia)
- Naïf — #frustration-naive
- Naïve Mastermind — #frustration-naive-mastermind
- Against All Odds — #frustration-against-all-odds
Paradoxical success: the protagonist “wins”, but the win is compromised, absurd, accidental, or socially toxic.
Sub-branches (stable):
- Accidental Winner — #winner-accidental
- Reluctant Hero — #winner-reluctant-hero
The rebound, reinvention, improbable return: comedy of redemption arcs and second chances (often American energy).
- Midlife reinvention — #comeback-midlife-reinvention
- Return to work — #comeback-return-to-work
- Back on track — #comeback-back-on-track (rehab / restart)
Clockwork plotting: misunderstandings, entrances/exits, timing. Rhythm dominates meaning — but serves the code.
- Mistaken identity — #vaudeville-mistaken-identity
- Timing — #vaudeville-timing
- Entrances / exits — #vaudeville-doors
Flags: Edge (and how to treat it)
Some comic texts operate near death, extermination, terminal illness, imprisonment, or collapse. This is not a branch you “browse” — it is a flag you mark with care.
Use flags as warnings / tonal cues, not as destinations. They can exist in Society, Crime, or Neo-Nonsense.
Edge marks comedy in “limit experiences”: gallows humour, deadpan survival, resistance by laughter.
When Edge is present, add a short note in the guide: the context + why the comic strategy matters.
- never marketed as “funny” first
- always contextualised
- kept minimal and factual
Example coordinates (readable + stable)
This is what you want readers to internalise: a novel is a point on the map.
Current: Society
Branch: Workplace · Campus
Engine: Frustration Comedy
Toolbox: Environment + Comedy level
Current: Society
Branch: Manners
Engine: Vaudeville
Toolbox: Environment (one strong institution)
Current: Society
Branch: Family
Engine: Winner Comedy (accidental)
Optional: Labs / flags
How to link (anchors are part of the method)
Always link as: file.html#anchor. Anchors should never be renamed.
Examples: current-society.html#campus-frustration · current-society.html#frustration-comedy · toolbox.html#comic-engine.
Use currents.html for the big map, then send readers here for the detailed branch/engine grid.
Novel pages can cite the exact branch/engine anchor as a stable reference point.